The layout includes: Chinese flow layout, small China flow, Chinese flow layout, three-star layout, and the famous star-small-mesh layout.

On the corners, there are: Sansan layout, Xiaofei layout, Large flying hanging angles, single closing hanging angles, etc. are more commonly used.

The hanging angles include: small flying hanging angles, large flying hanging angles, single closing hanging angles, double hanging hanging angles, etc.

The Chinese flow layout refers to: one chess star position, one chess piece occupying the upper small eye position, and the middle star position connecting the chess star and the small eye position is on the side of the small eye position. The high position is called high Chinese flow, and the low position is called low Chinese flow.< /p>

Three consecutive stars means that three chess pieces point to three star positions on the chessboard. Connect the lines.

Xiao China flow means that one chess piece occupies the star position and one chess piece occupies the lower eye. A chess piece occupies the middle star position by occupying a chess piece.

For the author and his works, "carp" is an elegant and sharp container, which combines good novels and touching stories. Get up and complement each other. For readers, "Carp" is a brand new reading portal. Open it, dive into it, and start a different kind of reading journey.

“Carp” comes from traditional culture, but it has endless vitality. It is simple yet enchanting, quiet yet passionate. The "Carp" book series is a container carrying touching words and ideas. It's elegant yet sharp. It is calm yet intense. It is innocent, but it is slowly going through vicissitudes of life. It is saying goodbye again and again and retaining youth again and again.

The name NEWRITING gives this book series another more orthodox interpretation. It is a new kind of writing, a literary reading for young people. The new is dynamic, the forms are changeable, and there are no limitations. Good standards are also diverse. They are freer and bolder, more jumping and passionate. "Carp·Loneliness" June 2008 Jiangsu Literature and Art Publishing House, ISBN: 9787539929064

"Carp·Jealousy" September 2008 Jiangsu Literature and Art Publishing House, ISBN: 9787539929750

"Carp·Jealousy" ·Lies" Jiangsu Literature and Art Publishing House, January 2009, ISBN: 9787539930787

"Carp·Ambiguous" Jiangsu Literature and Art Publishing House, March 2009, ISBN: 9787539930985

"Carp·The Most Good Times" Jiangsu Literature and Art Publishing House, May 2009, ISBN: 9787539932170

"Carp·In the Name of Love" Jiangsu Literature and Art Publishing House, August 2009, ISBN: 9787539932910

"Carp·Escape", December 2009, Jiangsu Literature and Art Publishing House, ISBN: 9787539934778

"Carp·Addiction", March 2010, Jiangsu Literature and Art Publishing House, ISBN: 9787539936406

"Carp·Escape" ·Hormones》2October 2010, Shanghai Literature and Art Publishing House, ISBN: 9787532139835

"Carp·No Time" January 2011, Shanghai Literature and Art Publishing House, ISBN: 9787532140770

"Carp·Idol" 2011 July, Shanghai Literature and Art Publishing House, ISBN: 9787532141654

"Carp·Letter", January 2012, Shanghai Literature and Art Publishing House.ISBN:9787532142767

"Carp·Growing Old", 2012 June Shanghai Literature and Art Publishing House, ISBN: 9787532144631

"Carp·Literary Youth" August 2012 Shanghai Literature and Art Publishing House, ISBN: 9787532145874

"Carp·Elope with a Book" 2013 In January 2013, Shanghai Literature and Art Publishing House, ISBN: 9787532147632

"Carp·Hotel" in July 2013, in Shanghai Literature and Art Publishing House, ISBN: 9787532149674

"Carp·Fate" in March 2014 October Shanghai Literature and Art Publishing House, ISBN: 9787532151769

"Carp·A Room that Doesn't Belong to Oneself", October 2014, Beijing Literature and Art Publishing House, ISBN: 9787530213964 ended "loneliness" and "jealousy" , "Lies" and "Ambiguous" are a series of explorations of inner private emotions. Zhang Yueran and her partners have set their sights on a broader social level. This issue about the search for the best time in people's lives reveals to us the longing for happiness. Why is there a rushing river between the future and indulging in the past? Even if we go back to the best days of the past, can we put the memories that have been torn apart by pain back together again?

Whether it is the writer Eileen Chang, the Japanese painter Yoshitomo Nara, or the director of "Slumdog Millionaire" Danny Boyle, their nostalgia for the best times has all penetrated into their works. People who like their works will appreciate it. From the details, they can feel the glory of the "best time" with them, while those who question them can read the lack of edges and corners after being scratched by the fragments of time. "Carp: The Best Time" specially interviewed Taiwanese writer Zhu Tianwen. For an hour and a half, Zhu Tianwen exchanged with us his experience in writing and the fun in daily life. He also talked about how to work with director Hou Hsiao-hsien. The text changes into light and shadow in unison.

In the 1980s, people’s memory of time often comes from a small thing, a song, a river, a scene that appeared in a dream. Zhang Yueran invited her good friends Yan Qiao, Zhou Jianing, Photographer Madi shares memories close to the skin. For the writers born in the 1980s, their best years were fixed in the virtual world from 1998 to 2005. Undercover sick children, crystal forums, and black pot forums became the literary fronts for young people, almostEvery post-80s writer active in today's literary world has left a mark on these forums, and the original intention of the "Carp" themed book is mixed with the unfulfilled wishes of those literary forums.

The past events of youth are always inexplicably exciting. For people in the 1980s, the concept of time began to become blurred after 2003, but before that, every important time point in adolescence remained. Marked by a vigorous life, "Carp" chronologically sorts out the collective memories from the late 1980s to the early 20th century. Growth is something that can be shared, and youth is far away.

"Carp·The Best Time" puts forward a new concept of sharing. From editor-in-chief Zhang Yueran to every editor, they share the most wonderful details in life with readers, from a pornographic episode to a record From the jacket to the novels and writing notes of John Irving, which are highly praised by editors in the novel column, "Carp" attempts to continue the concept of sharing.

Zhang Yueran described his transformation from a girl to a woman in the essay "The Beauty Thief". Lu Nei's "Forty Crows Fight" continues the boy's memories of factory life, as well as newly added novels The authors, Lao Wangzi and Xu Siwei, both wrote about the most personal and best time from the perspective of boys.

This book dedicated to parents is finally presented to everyone in the appearance we expected.

When we were very young, we were full of questions about our parents. Until adolescence, these doubts have not diminished at all, and different views on things have become more and more polarized. Disputes seem to have become an outlet for love, and as the last generation born in the 1980s has grown up, we have also begun to seek answers to these questions we had as teenagers. Trying to know the stories that our fathers experienced.

In Carp, In the Name of Love, we try to understand the greater or lesser impact that special environment has had on our parents. We also gradually realize that as they grow older, love has Showed before our eyes in another aspect.

This book also brings our love back to them, and this time the method is our attempt to cross the huge gap and get closer to them.

At the end of 2009, we made a big move and carefully planned a reading feast to give back to readers at the end of the year. Specially included is an exclusive interview in Spain by Japanese literary master Haruki Murakami, revealing the creative experience of "1Q84". Famous astrologer and fashionista Nao Nao presents "The Most Gorgeous Adventure", about Chen Qizhen that Nao Nao knows, about Nao Nao and Chen Qizhen's romantic escape in Tokyo, about Nao Nao as a fan and Chen Qizhen as an idol Eight years of friendship gestures will all be seen in "Carp Escape". In addition, there is Zhang Yueran's latest short story "Home": a pair of lovers living together ran away from home on the same day, leaving an empty house and a cat behind, but the story continues...

< p>Nick Cave's novel "The Death of Barney Munro", which was released in North America, was translated by "Carp Escape" at the first time by specially invited btr and Yu Bingxia.Let everyone appreciate the literary talent of this musical talent before the simplified Chinese version is published. In addition, "Carp Escape" also includes "Banff Translation" by the novelist and translator Su. Invited by the author Kim Echlin, Su spent three weeks at the Banff Art and Literature Center in the Canadian Rocky Mountain National Forest Park. , bringing you the extremely precious translation notes of "The Disappeared". In addition, Japanese novel translator Tian Xiaoxia has translated for the first time the short story "Looking for Things" by Japanese best-selling author Mitsuyo Tsunoda, who has won the Naoki Prize, and will also appear in "Carp·Escape".

In this issue of "Carp·Escape", the authors will reveal their refuges one by one. Life will always have its parts that are too boring and harsh. We may need to take a night walk, watch an idol's concert, recall the best time, or continue to dream of some dreams that will never come true. Then we discovered that finding refuge presents a positive philosophy of life, and that escape is often the best solution.

In addition, the Li Editorial Department will organize the "Let's all read the same book" activity at the end of the year. Starting from Su Tong's "River Bank", the Li Editorial Department will continue to carry out this reading activity. Give people who love reading a platform to share and communicate, turning reading into a life attitude. "Carp Loneliness" takes "loneliness" as its theme, and uses the strong loneliness in Japanese popular literature that is most concerned about by young people as an introduction to show and explore different aspects of women's "loneliness" psychological state. This book includes the latest novels and essays by Japanese best-selling writer Nanae Aoyama, writers from the 1980s Zhang Yueran, Zhou Jianing, and An Yiru, writer Zhou Jieru from the 1970s, and Taiwanese female writer Hu Shuwen. Among them, the life and inner state of the post-80s generation in China and Japan are shown, and it also brings about the collision of authors and works from the 1970s and 1980s.

"Carp" is edited by the young writer Zhang Yueran, and has created a new publication concept of "theme book" in mainland China. This series of books follows the form of books in form, and integrates the concept and light and shadow of magazines in editing and design. In terms of content, it transcends the barriers of traditional books. Each book revolves around the same theme. In terms of content arrangement, Dominated by highly literary works, the subject matter focuses on the current living conditions and inner world of young women, allowing them to find their companions in the process of growing from girls to women and understand their true selves. This is a book that explores the "jealousy" emotion in the depths of human nature. Zhang Yueran's own novel "Strange Aunt" tells the story of a strange woman who can never feel the emotion of jealousy, trying to feel jealous and experience human emotions. The story continues It reflects Zhang Yueran's consistent style, which is weird and coquettish. The two novels "Lute" and the charming "Omelette" by the young German writer Judi Hellman respectively use understated life scenes to show the heaviness of the heart tormented by jealousy; Zhou Jianing's "Mister Paul" 》 vividly depicts a down-and-out, slovenly loser in life, describes the sympathy between him and the protagonist, andThis creates a subtle and fleeting feeling of jealousy; Ge Liang's "Dragon Boat" uses a terrifying ghost story to capture the stubborn and evil inner demon of jealousy. The novel part of "Carp·Jealousy" conducts an in-depth analysis of almost every aspect of jealousy in human nature.

And when Pamuk, Su Tong, Mianmian, Peng Haoxiang, Wang Xiaohui and others face the jealousy in their hearts, readers can gain insights into people's hearts from these frank self-confessions.

Ultimately, Zhang Yueran's purpose is to slowly penetrate into the confused and troubled hearts of the generation born in the 1980s through this series of discussions and questioning on "jealousy". What does the jealousy of the post-80s generation look like, where does it come from, and where is it going, all in "Carp·Jealousy". "Carp Lies" is the third book in the "Carp" series of themed books edited by Zhang Yueran.

This book starts from the ubiquitous existence of "lie" in ancient and modern times, at home and abroad, and uses multi-angle special topics to deeply explore and analyze the obscure theme of lies in the chaotic field of Chinese and Western literary and film works, the spirit of the times, and personal life. , from Agatha's mystery novels to Andersen's fairy tales, from Pinocchio to Emma to Pan Qiaoyun, as well as the American dream that everyone loves in the Wei and Jin Dynasties, this book revolves around lies, their manifestations and their derivation - such as "reincarnation", "the end of the world", "elixir", etc., are analyzed one by one; there are also important novels by mainland writers Zhang Yueran, Zhou Jianing, Su, Lu Nei, Han Lizhu and others, as well as contemporary writers Paul... Auster's interviews, etc., thus presenting readers with a multi-faceted interpretation of lies in the 1980s, giving readers a rich and unique reading experience. The first book "Carp" in the spring of 2010 brought you the controversial theme of "addiction". In this era of overflowing materials and spiritual bubbles, there are all kinds of corners for people to indulge in. "Addiction" is often mentioned again and again as an antonym. But "only when you sink will you float." Indulgence brings people not only a sense of guilt, but also joy, sadness, relief, and various delicate perceptions. A life without addiction may be too ordinary, or you may feel like you will disappear all the time, so this issue of "Carp·Addiction" discusses these secrets that have never been made public with you.

The Literary Salon brings exciting special topics on British female writers. Sarah Waters, who has just published a series of new books in mainland China, brings readers an excerpt from her latest novel "The Little Stranger", which was nominated for the 2009 Booker Prize. At the same time, she accepted an exclusive interview with "Carp". During the two-hour interview, she disclosed for the first time her innermost Victoria complex, and revealed the significant influence that Janet Winterson, a British female writer of her time, had on her writing. The novels of Janet Winterson, who participated in the planning of "Carp", will also meet readers in the near future. In this issue of "Carp", readers can be the first to read Winterson's short story "" which was translated and published in mainland China for the first time. "Three Friends", this most controversial female writer in contemporary Britain is worth looking forward to.

The Science Squirrel Club participated in the discussion of "addiction" from the perspective of combining science and literature, talking about writers and poets who took drugs. In the attitude column, you can see the addictions of various people around you. Witch Noisy reveals the mental journey of astrology and shares with everyone the various addictions behind the mysterious world of astrology.

Some of the novels and essays in this issue are interesting. Zhang Yueran's essay "Spanish Woman" excerpts a part of her Spanish travel notes. The previously popular Silent Music's "Ring Zi Beside" has released the second part of its trilogy, "The Real Look". **The short story "Children on the Bridge" by Chen Xue, the original author of "Butterfly", was also her first novel published in mainland China. There is also the latest novel "Things That Never Happened" by Taiwanese female writer Hu Shuwen.

In fact, we always need something similar to obsession, obsession, love or addiction in order to live bravely in this often desperate world. Whether you love books or love people, there is no difference. We always have to sink into a certain field, only then will we know what kind of self we are, and then we will understand what exactly we want, and only then will we have a new perspective after resurfacing, as if we have been reborn. New horizons, and that addictive feeling will become a secret, a secret full of love, and the hardships will no longer matter.

After a gap of five months from the previous book, Li finally brings a blockbuster book "Carp·Hormones". Hormone concentration may be regarded as an index of eroticism, which affects and changes the environment around us like climate change. This issue focuses on the attitude of the younger generation towards sex, as well as the vivid presentation of sex in literature, art and other fields.

An interesting conclusion was drawn through the preliminary questionnaire survey. Compared with the secretive passion for sex in the 1960s due to the repressive environment, growing up in a country where sex is no longer a taboo topic. For people in the 1980s, their passion for sex is gradually being depleted. The timescales of their first erotic dreams, first sexual fantasies, and first visits to other people's bodies have become blurred, and the thin hormones in their bodies have become blurred. Can testify. Love has entered the era of the Great Depression, and the alienation of relationships between people has made sex a lonely and desperate game for one person.

Everyone has a literary word to describe sex. Xiaozhu’s description is “moist and sticky”, Li Haiyang’s description is “green”, and Zhao Ting’s experience of wandering abroad made her The experience of sex becomes "dissociated". Xiao Zhuang from the Scientific Squirrel Society discussed AV from a scientific perspective. She believed that "there is no real AV, only the climax of imagination." Two Hong Kong scholars, Su Hei and Tang Zhenzhao, analyzed the hidden worries behind the prosperity of Japan's AV industry from a cultural research perspective. Boys are used to mosaics in key parts, just because they have an uncensored heart.

Pornography and sensuality are rampant. The sexiness in men's eyes and writings remains unchanged, and women are shaped into the ideal incarnation of desire. In order to avoid direct conflict with sex, female artists dodge and look around. When "Carp Hormone" talks about sex and desire with writer Jenny Winterson and director Isabelle Cossart,But they received simple, direct, honest but emotional answers. They believed in love at first sight more than love at first sight. Director Qu Jiangtao shared a few words from the process of filming the documentary "Meimei". Four gay men were faithfully recorded by his camera, showing how they moved forward painfully on the road to finding true love.

The novel "Carp·Hormones" contains erotic meanings and is endlessly memorable. Zhang Yueran presented his new work "One Thousand and One Nights". Lu Nei's "Selected Chronicles of Nymphomaniac" continues the pace of two boys' stubborn growth in ignorance, but this time the growth and pain are related to sex. The novel section also includes two heavy works, "Escape" by Chuck Palahniuk, the author of "Intestines" that Peng Haoxiang highly praised, and "Raccoon" by the mysterious author Allan.G. People in the 1980s are a generation that grew up with idols, from Cui Jian to Mayday, from the Four Heavenly Kings to Eason Chan, from Wang Xiaobo to Haruki Murakami, from Lai Ning to Han Han. In the process of growing up, in an era of ignorance, idols It not only moves us, but also inspires youth to move forward, allowing us to give it our passion and love without regrets, and break all norms with fanaticism.

Only when we grow up do we realize that in the process of being mythologized, an idol has become independent from itself. His words and deeds are given meaning. He puts on a certain speech posture in front of the public, but loses it. Get clear outlines. Along with the forced maturation process, idols are gradually left behind by us. The small groups that were once formed to support the same idol collapsed. When the idol is reduced to a label, it also announces the end of an era and the passing of youth.

We used to follow idols and try to build or resist something. Idols are like collective whistles, gathering many people together and marching in a certain direction with neat steps. But in the end, we dejectedly discovered that the idol that originally represented freedom and resistance was a fragile soap bubble. As supporters, we were unknowingly domesticated while waving flags and shouting, living under the illusory light of the idol and losing ourselves. Nowadays, idols are no longer a belief, but a profession.

This issue of "Carp·Idol" does not focus on the big era, but starts with the traces of idols in individual memories. Yan Qiao once studied English hard for Michael Jackson. When she really stood at the door of Neverland, the idol of an era had passed away. Zhou Jianing met Lao Lang several times during her ten years of youth. The idol was like a friend who inspired her to grow up, but they never talked. The website Under the Banyan Tree carries the literary dream of a generation of netizens, and the virtual world has created mysterious literary idols. Now they all go their separate ways. Wang Shuo and Wang Xiaobo, two literary idols, one gained immortality through death, and the other devoted himself to being a father and craftsman. Wang Shuo rode a 28 bicycle and handed the baton to Han Han, who was more adept at teasing and driving a racing car. Singer Tahara never projects her emotions onto one person. She admires ordinary people who condense the meaning of life.

Mary Ellen Mark is good at photographyThe photographer of Star Photos used a photo of Woody Allen to engrave his image of a typical American intellectual on the scroll of history. He condensed the photo into a narrative and gave the character the meaning of life. "Carp·Idol" specially Select a group of idol photos he took to reveal the secrets behind the big screen.

In the novel section, Zhang Yueran and Qi Jinnian present their latest short story masterpieces. Qian Jianan, Teng Xiaolan, and Buckwheat, as new forces in pure literary creation, have also contributed new works to readers. Claire Geoghegan won two Irish Literature Awards for her short stories, and "Carp Idol" specially selected her masterpiece "The Farewell Gift".

AT leads everyone to explore the relationship between writing and reality in the special volume of "Sonar". "If a writer just makes you feel 'touching' and 'real', then he is doing it consciously or unconsciously." Lie." The argument put forward must be thought-provoking at the creative level. "Qianxu Fusi**" and "Bomb Girl Is My Sister" selected from thousands of submissions show the new style of novel creation of the new generation. The carp-themed book, which has been away for half a year, provides readers with another literary feast at the beginning of the "apocalypse", allowing readers to find the feelings of the "old days" in the "apocalypse". Looking back at many of the past themes of "Carp", it seems that they are all nostalgic for the past. As the editor-in-chief Zhang Yueran said, if we are powerless against the crudeness of reality, all we can do may be to go upstream, go back to the past, and bring back some beautiful things from there.

In the new issue of Carp, the authors salvaged the action of "writing letters" from the old days and traced the lost tenderness and violence. In "Attitude", there are not only Su De's laments about "nothing important is important anymore" and the "lack of trust" among people, but also the discussions between small figures in the big era and their respective correspondences excavated by Tang Yibin, DrunkDoggy and others. Love story, looking for the true trajectory of those powerful letters in reality.

The "Letter Letter" and "Salon" sections record the "heartfelt letters" of more than a dozen writers. The personal letters of the famous novelists Luo Yijun and Zhang Yueran, the authors of "Xixia Hotel", talk about writing, and the writers' confusion and astrology convey to us the goodwill and sincerity of the writers; Taiwan's emerging writer Hu Shuwen and the rising wind Ah Yi, the Shuiqi novelist, brings us the love and struggle, arrogance and anxiety in the mundane world. Those discussions about love and desire are full of golden words. The letter written by the young writer Zhou Jianing to his lover "Zhang Wu" fully describes the days and nights she lived in "Taocheng"; the micro-novel writer Chen Cuimei carefully tells us the things she had with the "monster". In addition to the familiar faces of Li: masterpieces by Evil Bird, Qu Jiangtao and others, there are also works by recent writers such as He Xi and Tao Lixia.

As someone who has been committed to introducing foreign literature, the foreign literature published this time is still eye-catching. The poems of Leonard Cohen and the blushing love letters of James Joyce, the famous writer and author of "Dublins", also bring us a different kind of excitement.

We are not deliberatelyGoing back to the old days, compared to emails that can be deleted at any time, 140-character Weibo posts, and symbolic text messages, letters undoubtedly represent a more serious era, and at the same time, they also represent a more regretless emotion. I believe that the new issue of Carp will give you more firm strength. "Growing Old" is the second book in the "Carp" series edited by Zhang Yueran in 2012. The whole book has about 220,000 words. "Growing Old" explores what aging is like for people born in the 1980s. How do young people in this era hope to grow old? How do they face the aging of their idols and the aging of their parents? How to view the attitude of society as a whole towards aging. Are they afraid of aging, or have they already seen their future early, and what they are doing now is just moving there step by step.

"Growing Old" includes novels by popular young novelists Lu Nei, Cao Kou and Zhang Huiwen. There are also interviews with writers Sun Ganlu, Hong Ying and Shu Guozhi and essays by Zhang Yueran and Zhou Jianing. It explains young people's views on aging from a literary perspective. "Growing Old" does not seek a final answer, but encourages young people to always maintain a sensitive heart and the ability to burst into tears as they grow older.

"Literary Youth" discusses the living conditions of literary youth in this era. "I am not a young and artistic person." More and more people are eager to express their position, fearing that they will be dragged down by the crowd of young and artistic people. It has become synonymous with weakness, selfishness and lack of position. Non-literary young people want to speak out and stand in another camp of the times. That camp seems to have some illusory weapons with more combat effectiveness. They are eager for combat effectiveness and think that this is the way to break out in the chaotic world. Under the coercion of this kind of fighting power, those young people who are still literary and artistic huddle more and more into their own corners. As a result of their self-defense mechanisms, they begin to resist dialogue with the outside world. They are inherently disillusioned with the outside world. Their spiritual world can actually be understood, but most people pretend that they cannot understand it and are too busy to understand it. And there are still some people who are part of the literary youth themselves, or in other words, they are the weakest part. They are unwilling to accept confusion and face themselves, but instead use malicious emotions to mock their allies. This is vulnerability. It calls for a better society through various interviews with literary and artistic youth leaders and the self-reports of literary and artistic youths. Everyone works hard to grab more things in this world. Wealth, honor. But no one can grasp the most fundamental thing, their own life.

In a sense, the concept of fate is not negative. Sometimes, it can even be regarded as a kind of optimism: since destiny is carefully designed by gods for us, life is respected , then this trip is worth it.

NO.17 "Carp·Destiny" will be released in March, bringing an in-depth interview with David Mitchell, the author of "Cloud Atlas", and the most satisfying story of Colon McCain, the author of "Black River Fishing" The work "In this country, everything is destined" is exclusively released by Li. Are you willing to believeIs there a “life program” set by God?

David Mitchell | Interview

The only honest answer is, "I don't know if I believe in rebirth"... In life, I feel that fate is a kind of injustice Very useful concept. Do you want to be a passive robot, programmed by a universe-sized thing called God or History or Destiny? no thanks. I would rather individuals and countries have the ability to determine their own destiny.

Colen McCain | "In this country, everything is doomed"

"My father is very quiet. I want to go back to the barn and wait for the raindrops with the tip of my tongue. I wear I was wearing Stevie's jacket, but I was cold, wet, and shivering. I was frightened because Stevie and the packhorse were both going to die, and everything in this country is destined to die."

殳秋| "Nuan Nuan"

Is everything over? No, I just feel that everything has just begun. Although the memory is heavy, I can still bear it. Maybe no one believes that my state of mind at this moment is actually peaceful and calm.

Walk | "Jing San's Story"

She remembered the night before. She had spent a lot of time in the bathroom the night before, the mint-flavored foam rolling around in her mouth, and the coolness made her feel better. Then she put on her pajamas. The pajamas showed no sign that he was waiting to be taken off again. She stood quietly behind the door for a while. Then hold the ball of the door lock, open the door, and let him in. The time is one thirty.

Li Shu | "The Curse of the Wife"

Wei Liansi was still alone; Liang Zongdai later found a new love in Baise, Shen Ying ran away angrily, and their marriage collapsed; Cao Chengying is teaching at Shenyang Agricultural College. She has never married after divorcing her husband; Lu Xiaoman lingers on the bedside and fights opium. After Xu Zhimo's death, she awkwardly lives with Weng Ruiwu and accepts endless spiritual torture; as for Mr. Jiang Menglin, In a few years, he will become seriously ill and die because he was defrauded of his property by his third wife. This seems to once again prove Jiang Dongxiu's philosophy: no matter how messed up, there will be no good end!

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